Patronat
Sergei Rachmaninow (1873 – 1943)
Piano Concerto No. 2 in C minor, Op. 18 | 33’
Pjotr Iljitsch Tschaikowsky (1840 - 1893)
Symphony No. 6 Pathétique in B minor, Op. 74 | 45’
With its wide soundscapes, Late Romanticism also created some of the conditions for what would later be perceived as great film music. In this programme, monumental symphonic writing and vivid narrative power come together in two works whose emotional immediacy remains undiminished.
Sergei Rachmaninov’s Second Piano Concerto begins with powerful piano chords that resonate like bells. From them grows a passionate drama of the soul, in which soloist and orchestra unfold broad melodic arcs, dark colours and surging intensifications. Nikolai Lugansky, whose international career gained decisive momentum in 1997 when he won the International Tchaikovsky Competition in Moscow, is an ideal interpreter for this music.
Tchaikovsky’s Sixth Symphony, the “Pathétique”, is also music of existential force. Tchaikovsky himself spoke of a programme that should “remain a mystery to everyone”. Echoes of the Russian liturgy for the dead, passionate climaxes and the deeply moving Adagio finale suggest farewell, lament and perhaps a requiem for the composer himself.
Chief Conductor Michael Sanderling brings the two works together in an evening of great emotional intensity – Late Romantic, visually powerful and profoundly human.
6:30 PM | Concert Introduction by Thomas Meyer
Thank you for your interest in the concert City Lights.
In a first phase, this offer is reserved for young people and young adults U28. U28 means: born in 1998 or later. Thanks to the Thomas and Doris Ammann Foundation, we can offer tickets free of charge for this target group.
If you were born in 1997 or earlier, we look forward to welcoming you at the concert the following day, Thursday, 21 May.